J
(1760-1836)
Portrait of Monsieur Maurice Gabriel Joseph de Riquet, Comte de Caraman (1765 1835)
Around 1790
Watercolor and gouache, oval 7 x 6 cm.
Gold metal frame, 7.7 x 6.7 cm.
Splendid portrait of Jean-Urbain Guérin, with a subject rare for the clothing.
The man is dressed in the "Spanish" style with a black velvet tunic over which a large white muslin collar extends. He wears a large black felt hat, on which fluffy red feathers stand out, the true protagonists of the portrait.
The reference to Nordic art of the seventeenth century is twofold: the costume evokes the Spanish Flanders and the pomp of the portraits of this era.
Jean-Urbain Guérin was a French draughtsman and miniaturist. With Jean-Baptiste Isabey and Jacques Augustin, he is still held to be one of the most notable miniaturists of his time.
Guérin himself wrote in his accounts book that in 1791 he produced a portrait of Georgiana, Duchess of Devonshire, who was a friend of queen Marie-Antoinette. He also painted Marie-Antoinette herself and her husband Louis XVI and drew portraits of several deputies of the third estate in 1785, which were later engraved by Franz Gabriel Fiesinger. After the French Revolution he also painted portraits of several generals of the First French Republic, which were often reproduced, as well as images of Kléber, Napoleon Bonaparte and Mozart.
Born in Strasbourg, he was the son of the engraver Jean Guérin of that city. His brother Christophe Guérin (1758-1831) became a painter and engraver, whilst Jean-Urbain's nephew Gabriel-Christophe Guérin (1790-1846) became a painter. Jean-Urbain trained under his father then under Huin. Like Prévost and Amat, Guérin did his final training under Jean-Baptiste Regnault. He was sent to Paris with Jean-Baptiste Kléber, a childhood friend, and worked among natives of Alsace who happened to be in Paris, particularly Jean-Baptiste Weyler, who advised him to specialise in miniature painting.
He took an apprenticeship under Jacques-Louis David before working with Jean-Baptiste Isabey, seven years Guérin's junior, after meeting him in David's studio. David commissioned a portrait of one of his daughters from Guérin just before her marriage - Guérin accepted but only on the condition that David would pose his daughter for him. Marie-Antoinette became his main patron and protector. By 1792 he was a member of the Filles Saint-Thomas section of the National Guard, with whom he defended the royal family against the sans-culottes during the Demonstration of 20 June that year.
He was suspected under the Reign of Terror and left France to join Desaix's division during Napoleon's Egyptian campaign, only returning in 1799 under the French Consulate. He then entered the service of Napoleon's wife Joséphine de Beauharnais and exhibited at the Paris Salon until 1827. He died in Obernai on 29 October 1836
His works are kept in the most important museums and private collections.
We thank Dr. Bernd Pappe for identifying this portrait.
Price: upon request
BIBLIOGRAPHY:
Bénézit, Schidlof, Bouchard, Darmon, Foster, Blattel. Georges Foessel.
MUSEUMS:
Louvre, Paris; Nationalmuseum Stockholm, coll. Tansey, Celle; GO; Wallace coll; Carnavalet, Paris; Cognacq-Jay, Paris;Coll IRKV; MAD Paris; Strasburg MBA; Condé museum, Chantilly; Malmaison museum; MBA, Lille; Cincinnati Art Museum; coll. Frank Spierkerman; City Art Museum of Saint Louis; coll. Wicanders; Palazzo Madama, Torino.
